Samentha Sep煤lveda
Communication, Media and Theatre
Instructor
Office:
Room FA 231
Email:
s-sepulveda1@neiu.edu
Office Hours:
Tuesday and Thursday: 11:00 a.m.-1:00 p.m. (Room FA 231)Also available for virtual and in-person appointments.
Country:
United States
Expertise
Internatural Communication, Organizational Communication, Communication Theory, Critical Qualitative Research, and Persuasive Communication
CMTC 310: Persuasion
CMTC 306: Special Topics in Communication (Environmental Communication)
CMTC 306: Special Topics in Communication (Strategic Communication)
CMTC 305: Writing in Communication, Media and Theatre (WIP)
CMTC 300: Mediated Communication
CMTC 101: Public Speaking
CMTC 100: Introduction to Communication
Research Interests
Dr. Samentha Sep煤lveda鈥檚 research concentrates on the crossroads of organizational and internatural communication (communication with and about nature). Additionally, her research examines communication from a critical lens to discover how discourses maintain and challenge exploitation. By highlighting the oppressive practices maintained by these discourses, she also sheds light on linked oppression related to gender, race, class, and more.
Education
Ph.D., Communication, University of Wisconsin-Milwaukee (2021)
M.A., Communication, Media and Theatre, 秘密研究所 (2017)
B.A., Communication, Media and Theatre, 秘密研究所 (2015)
Selected Publications
Sep煤lveda, S. (2023).鈥淚 wouldn鈥檛 fall for that!鈥 Exploring social influence and group decision making. Communication Teacher, 37(4), 278-282.
Sep煤lveda, S., & Plec, E. (2021). Of rats and women: A cross-species read of space and place. In A. E. George (Ed.) Feminism and Gender in Critical Animal Studies. Lexington Publishers.
Riforgiate, S. E., & Sep煤lveda, S. (2021). Managing and being managed by emotions. In F. Cooren & P. St眉cheli-Herlach (Eds.) Handbook of Management Communication. De Gruyer Mouton
Sep煤lveda, S. (2019). Review of abstinence cinema: Virginity and the rhetoric of sexual purity in contemporary film. [Review of the book Abstinence cinema, by C. R. Kelly]. Women & Language, 42(1), 125-128.